Wednesday, May 17, 2017

The Misadventures of Merlin Jones

History and Review Written By Michael J. Ruhland












Year Released:1964
Michael's Movie Grade:C

                                                  History
The Misadventures of Merlin Jones was originally planned as a two part episode of the Walt Disney's Wonderful World of Color TV series. However it ended up being released as a theatrical feature instead. It was also planned to be the last Disney film for two of the studio's biggest stars, Tommy Kirk and Annette Funicello. Annette's image was becoming too sexualized for the type of films she was doing at the Disney studio with the various beach movies she appeared in. Tommy Kirk on the other hand, had recently come out as a homosexual, which at this time was controversial to have at a studio that currently prided itself on it's family friendliness. However this would not end up being their last film for the studio.

The story came from writer Bill Walsh, who had previously written for such big name Disney movies as The Shaggy Dog and The Absent Minded Professor. Later the same year The Misadventures of Merlin Jones was released, Mary Poppins the most famous film he wrote for would come out. The screenplay though was written by Alfred and Helen Levitt. However the credits read "Tom & Helen August". The reason for this is that they were blacklisted by the House of In-American Activites (which interestingly Walt Disney was a member of) for being suspected of communist activities. This is the first of only two Disney films they worked on.

The film was directed by Robert Stevenson, who had already proven himself as one of Disney's most reliable live action directors, directing such films as Johnny Tremain, Old Yeller, Darby O'Gill and the Little People, Kidnapped, The Absent Minded Professor, In Search of Castaways and Son of Flubber. He would later direct such beloved Disney classics as Mary Poppins, The Love Bug and Bedknobs and Broomsticks. With this film being another zany comedy about a scientist it only seemed naturally to put the director of the hugely successful The Absent Minded Professor in the director's seat.

Critics called this one of the weakest Disney movies yet. A review in The New York Times stated "the quality is low even by television standards" and would go on to say "It's the kind of picture usually dismissed by shrug­ging, 'Well, at least the kids will like it.' Unless, that is, your children happen to be bright." However audiences didn't listen and it did quite well at the box office, especially considering the film's low budget. The following year the movie would get a sequel called The Monkey's Uncle, which ended up being the last Disney film for Tommy Kirk and Annette Funicello. The sequel would also be the only other Disney film writers Alfred and Helen Levitt would work on.        

                                                                                                            Review
An enjoyable little comedy, hardly one of Disney's best films, but still good.

The best thing about this film is the characters and the actors portraying them. Merlin is a very likable guy and while he may be very smart, he doesn't always take the time to think things all the way through, as he gets to excited and loses that train of thought. This makes him an interesting character instead of just your typical movie boy genius. Tommy Kirk and Annette have fantastic chemistry and it is hard not to find their relationship likeable. Seasoned actors like Leon Ames and Stuart Erwin do as good as always.

However on the downside, for a comedy this film doesn't have much in the way of big laughs. There were times I chuckled watching this, but I hardly laughed out loud. As well as this the show's TV origins are too obvious as it is separated into two distantly different stories. It is kind of unexpected and a little jarring when these stories switch. However this film does have enough likability to not them hurt this film too much.

If you don't except a Disney comedy on par with, say The Parent Trap, and just want to watch an enjoyable little film, than this is worth a watch.

                                                                      Film Credits
Director: Robert Stevenson
Story: Bill Walsh  
Writers: Alfred and Helen Levitt
Cast: Tommy Kirk (Merlin Jones), Annette Funicello (Jennifer), Leon Ames (Judge Holmsby), Stuart Erwin (Captain Loomis), Alan Hewitt (Professor Shattuck), Connie Gilchrist (Mrs. Gossett), Del McKennon (Detective Hutchins), Norman Gruboski (Norman), Michael Fox (Kohner), Allan Hunt (Student), Burt Mustin (Bailiff), Kelly Thordsen (Muller)
Producers: Walt Disney, Ron Miller
Music: Buddy Barker
Songwriters: Richard and Robert Sherman
Cinematographer: Edward Colman
Editor: Cotton Warburton
Art Directors: Carroll Clark, William H. Tuntke
Assistant Director: Joseph L. McEveety
Set Decorators: Hal Gausman, Emile Kuri
Costume Designers: Gertrude Casey, Chuck Keehne
Makeup Artist: Pat McNally
Hair Stylist: La Rue Matheron
Sound Artist: Robert O. Cook
Title Sequence: Bill Justice, Xavier Atenico
Animal Supervisor: Ralph Helfer

                                                                     Resources Used
The Disney Films by Leonard Maltin
The Animated Man: A Life of Walt Disney by Michael Barrier
http://www.thedisneyfilms.com/search/label/Misadventures%20of%20Merlin%20Jones%20%28The%29
http://www.imdb.com/title/tt0058355/?ref_=ttfc_fc_tt
http://www.nytimes.com/1964/03/26/misadventures-of-merlin-jones-opens.html?_r=0

-Michael J. Ruhland

Friday, May 5, 2017

The Sword in the Stone

History and Review Written By Michael J. Ruhland











Michael's Movie Grade: B
Year Released" 1963

                                                         History
The Sword in the Stone was a long time in the making. After writer Bill Peet (who would write the film's screenplay) brought the story to Walt's mind, Walt bought the rights to T.H. White's novel in 1939. However the project just sat there. In 1949 Disney animators started making drawings for this film. Again little to nothing seemed to come from this. However after Walt eventually saw a Broadway version of Camelot (inspired by the same book) starring Julie Andrews, he knew this projected had to finally go into production. 

Wolfgang "Woolie" Reitherman was one of Walt's nine old men. He had proved himself as one of the studio's best animators of action scenes, famously animating the scene of Pinocchio in which Pinocchio and Geppetto are chased by Monstro the whale. With 101 Dalmatians, he was promoted to a director and co-directed that movie with Clyde Germoni, Hamilton Luske. With The Sword in the Stone Wolfgang was directing a movie all by himself. Walt supposedly did this because he thought of Woolie as "an all American boy" and ran ideas past him because he felt that if Woolie liked it the public would as well.  However this in many way resulted in the supervising animators having even more control. Ollie Johnson remembered that he almost directed the scenes he was the supervising animator for himself. 

By this time Disney was no longer making many animated shorts, nor as many animated features, because of this there were less animators working on this movie. Because of this animators were no longer as strongly divided between characters and there were more animators that worked on multiple characters and scenes. Frank Thomas and Ollie Johnson were the supervising animators for Arthur, Frank Thomas, Ollie Johnson and Milt Kahl for Merlin, Ollie Johnson for Archimedes, Milt Kahl for Sir Kay and Milt Kahl and Frank Thomas for Madam Mim (FRank Thomas animated the famous wizard duel scene.     

Critics loved the movie. However the film was only a moderate success at the box office. While it made $4.5 million, that was far beneath what the average Disney animated feature would bring in. Though this was not the last animated feature Walt worked in it was the last Disney animated feature he would live to see be released. Walt was not a fan of the film, and notes on The Jungle Book show that Walt specifically told his Woolie to make that film very different from The Sword in the Stone.

In Disneyland, Walt Disney World, Disneyland Paris and Hong Kong Disneyland there is a sword in a stone for people to take pictures by. In all of the parks Merlin used to roam around to find a child who could pull the sword out of the stone. However today this only happens at Disneyland Paris and Hong Kong Disneyland. As well as this Disneyland features a King Arthur's Carousel ride.  
    
                                                                         

                                                                 Review
A great movie, and if it doesn't live up to what you except, that is only because the previous Disney animated features set the bar extremely high.

This film has much more in common with Disney's live action output during this time than the studio's usual animated output. It has a slower pace, a very simple story, and the movie is very lighthearted. However none of this is a bad thing. In fact the joy of the film is found in this lighthearted simplicity. It is in a nice relaxing movie to watch. The slower pace works perfectly with the story as well. The slower pace never makes the movie become boring, in the way it does in Sleeping Beauty. Rather it adds to the leisurely relaxing feel to the film.

However also important to this movie is the characters. With the exception of Sir Kay (who is kind of a boring movie stereotype), the characters are all very likable. Merlin is not just comedy relief, but you can see how much he really cares about the boy and his determination to do what is right. Arthur is a kid who remains very likable and his loyalty to both his adopted father and Merlin is very relatable. While Archimedes may have a rough exterior, he has a heart of gold. Also adding to this movie's fun is the famous wizard duel scene, which is just as fun as it is said to be.

This is a great movie, as long as you don't compare it to the likes of Snow White or Pinocchio.

                                                                     Film Credits
Director: Wolfgang "Woolie" Reitherman
Writer: Bill Peet
Based off a book T.H. White
Voices: Sebastian Cabot (Ector, Narrator), Karl Swenson (Merlin), Rickie Sorenson (Wart), Richard Reitherman (Wart), Robert Reitherman (Wart), Norman Alder (Kay), Alan Napier (Pelinore), Barbara Jo Allen (Scullery Maid), Martha Wentworth (Madame Mim, Squirrel, Scullery Maid), Junius Matthews (Archimedes), Ginny Tyler (Little Girl Squirrel); Thurl Ravenscroft, Jim Macdonald, Tudor Owen (The Mello Men)
Producer: Walt Disney
Editor: Donald Halliday
Art Director: Ken Anderson
Layout Artists: Don Griffith, Basil Davidovich, Vance Gerry, Sylvia Cobb, Dale Barnhart, Homer Jonas
Background Artists: Walt Peregoy, Bill Layne, Al Dempster, Anthony Rizzo, Ralph Hulett, Fil Mottola
Supervising Animators: Frank Thomas, Milt Kahl, Ollie Johnston, John Lounsbery
Animators: Hal King, Eric Cleworth, Cliff Nordberg, Eric Larson, John Sibley, Hal Ambro, Dick N. Lucas
Effects Animators: Dan MacManus, Jack Boyd, Jack Buckley
Sound Artist: Robert O. Cook.
                                                          Resources Used
The Disney Films by Leonard Maltin
Of Mice and Magic: A History of American Animated Cartoons by Leonard Maltin
Hollywood Cartoons: American Animation in its Golden Age by Michael Barrier
The Animated Man: A Life of Walt Disney by Michael Barrier

-Michael J. Ruhland