Tuesday, December 22, 2015

20,000 Leagues Under the Sea

History and Review Written By Michael J. Ruhland










Michael's Movie Grade:A+
Year Released: 1954

                                                         History
In the early 1930's Disney's biggest competitor was the Fleischer Brothers studio. Their Popeye and Betty Boop cartoons equaled and often surpassed the popularity of the Disney's Mickey Mouse cartoons. So what is strange about 20,000 Leagues Under the Sea is that it was directed by Richard Fleischer, who was the son of Max Fleischer the head of that studio. This was towards the beginning of Richard's directorial career, he had mostly been doing low budget B pictures at this time, such as The Clay Pigeon, so this was a big change for him. However after this he would go on to direct such films as Tora, Tora, Tora, Soylent Green, and Conan the Destroyer. Richard Fleischer remembered being very surprised when Walt asked him to direct the film, because of who his father was. He wanted to ask his father if it was okay before he accepted Walt's offer. His dad told him that it was okay, but he said he wanted his son to tell Walt that he had a great taste in directors. Walt invited his old rival to lunch, and the two ex-rivals became good friends.

20,000 Leagues Under the Sea was the first time a live action Disney film had this big name of a cast. The cast included Kirk Douglas, Paul Lukas, James Mason, and Peter Lorre. In fact Charles Boyer was originally considered for that part that would be offered to  Paul Lucas. Kirk Douglas in fact learned to play the guitar for this film because his screen character here played guitar. Peter Lorre played a role that differed from his normal screen persona. In fact he said that the giant squid that attacked the ship, got the role that he would usually get. This was also the first Disney film to be shot in Cinemascope. After this nearly all Disney films would be in Cinemascope.

Director Richard Fleischer remembered that that 20000 Leagues Under the Sea was not an easy book to translate to film, because it did not have much in the way of a traditional story. Richard suggested that the studio give the job of writing the script to Earl Felton, who had previously worked with him on such films as The Narrow Margin and The Happy Time.

As would be excepted from a film like this getting the look just right was not easy, especially with a perfectionist like Walt Disney in charge. Much of the underwater scenes were actually shot off the coast of Nassau in the Bahamas. Though some of the more complicated scenes were shot on a sound stage with a giant tank of water. For some scenes Walt actually paid to use a water tank from Fox, and a back lot from Universal. The fight with the giant squid was especially difficult. The director remembered much trouble with the giant squid. Despite how much money was spent already making this scene, Richard and Walt deiced to save the shooting for later to figure out ways to improve it. After talking with screenwriter Earl Felton, Richard decided to have this scene take place at night during a storm, to both make the mechanics less obvious and to make the scene more exciting. It was much more expensive this way but Walt didn't care he just wanted to make a great film. Probably one of the biggest problems was that the fish would not swim in front of the camera, but they would rather go out of their way to avoid it. This was overcome by using animated fish. Also very important to this film was art director John Meehan. John Meehan had already won Academy Awards for his work on the films, The Heiress and Sunset Boulevard. His sets here were the most extravagant in a live action Disney film at this time. Also important to this film's look is cameraman Franz Planer, who had to both get used to the brand new Cinemascope and lighting on very difficult sets.

20,000 Leagues Under the Sea was the most expensive and extravagant live action Disney film made at this time, but it was also the most successful. Critics and audiences praised the film, and it made much more money than it cost. The film would also win the Academy Award for Special Effects and Color Art Direction.

An attraction based off this film was in Walt Disney World from 1971 to 1994. Set from the film could be seen in Disneyland from 1955 to 1966. The pie organ from this film can still be seen in The Haunted Mansion ride in Disneyland.


Review
Simply an incredible movie. Even today this still ranks as one of Disney's best live action films.

This film has such amazing atmosphere to it. The look of this film is excellent. The sets are simply breath taking. What is even more important these thing do not distract from the story, but rather add to it, and suck us into the world of this movie. Some of the effects may be dated today, but many of them hold up extremely well.

These characters are very compelling and complex. Captain Nemo is one of the main reasons to watch this film. His character is simply so fascinating. This is due heavily both to James Mason's acting, and a fantastic script. This is a character with so many layers, who you are both afraid of and eager to learn more about. Like the professor we are also afraid of his evilness, but in awe of the man as well. He remains one of the best characters to appear in a Disney film. In fact all the characters are quite fascinating in their own way and very well acted. Both the writing and acting in this film are near perfect.

This film is a masterpiece and remains one of Disney's best live action films.

                                                    Film Credits
Director: Richard Fleischer

Writer: Earl Felton

Based off the book 20,000 Leagues Under the Sea by Jules Verne

Cast: Kirk Douglas (Ned Land), James Mason (Captain Nemo), Peter Lorre (Conseil), Paul Lukas (Prof. Pierre Aronnax), Robert J. Wilke (First Mate of the Nautilus), Ted de Corsia  (Captain Farragut), Carleton Young (John Howard), J.M. Kerrigan (Old Billy), Percy Helton (Coach Driver), Ted Cooper (Mate), Chet Brandenburg (Sailor), John Daheim (Seaman), Jack Gargan (Reporter), Harper Goff (Minister), Fred Graham (Casey Moore), Charles Grodin (Drummer), Harry Harvey (Ticket Agent), Ray Linn Jr. (Sailor), Dayton Lummis (Reporter), Eddie Marr (Shipping Agent), Laurie Mitchell (Girlfriend), T. Monaghan (Crewman), Ron Nyman (Sailor), Gloria Pall (Girlfriend), Jack Pennick (Cannon Mate Carson), Robert Robinson (Sailor), Jack Stoney (Detective), S. Tarnell (Crewman), Herb Vigran (Reporter), Sailor Vincent (Sailor)

Producer: Walt Disney

Music: Paul J. Smith

Songwriters: Norman Gimbel, Al Hoffman

Cinematographer: Franz Planer

Editor: Elmo Williams

Production Design: Harper Goff

Art Directors: John Meehan, Harper Goff

Set Decorator:  Emile Kuri

Makeup Department: Louis Hippe, Emmy Eckhardt, Dan Greenway, Gustaf Norin, Lillian Rader

Production Managers: Fred Leahy, Frederic Leahy, Ed Ralph

Assistant Directors: Tom Connors Jr., James Curtis Havens, Russ Haverick, J. Matane

Art Directors: Bruce Bushman, Adam John Backauskas, Art Cole,Arden Cripe, J.C. Delaney, Juan Esquinta, Sandy Grace, Juan Haquinta, John Harris, John Hench, Roland Hill, De Nunsic, James Owens, Russell Ray, Freddie Stoos, Art Sweet, Karl Wiebach

Sound Department: Robert O. Cook, C.O. Slyfield, G.R. Danner

Effects: John Hench, Joshua Meador, Jim Donnelly, Lou Gray, Robert A. Mattey, Ub Iwerks, Ralph Hammeras, Charles Bovel, Marcel Delgado, Warren Wray Hamilton, Andy Lane, Fred Sersen, Albert Whitlock, Chris Mueller

Painter: Peter Ellenshaw

Camera Department: Til Gabani, Charles P. Boyle, Edward Colman, Tom Eddy, John Farrell, Jim Grady, Hadley, Paul Hill, Dick Johnson, Kauffman, James V. King, F. Bud Mautino, Morris Rosen, Charles Russell, Don Stott, Hal Swanson, Anthony Ugrin

Costume Department: Norman Martien, Harrington, Herman, Robert Martien, Robert Olivas, Ottras

                                                       Resources Used
The Disney Films by Leonard Maltin
http://www.imdb.com/title/tt0046672/?ref_=nv_sr_3
http://www.thedisneyfilms.com/search/label/20000%20Leagues%20Under%20the%20Sea
2000 Leagues Under the Sea DVD audio commentary by Richard Fleischer and Rudy Behlmer 

-Michael J. Ruhland

Wednesday, December 16, 2015

The Vanishing Prairie

Review and History Written By Michael J. Ruhland



























Michael's Movie Grade:C
Year Released:1954

                                              History
Right after the shooting finished on The Living Desert, shooting began on a second feature length nature documentary, to be called The Vanishing Prairie. Though The Vanishing Prairie took two years to make it was released less than a year after The Living Desert. This was because work on this film began while the other while the other was just beginning the editing process.

This would be made by much of the same crew as The Living Desert. This included director James Algar, photographer Paul Kenworthy, producer Ben Sharpsteen, narrator Winston Hibler, composer Paul J. Smith and more would return to work on this film. The crew on this film being pretty much the same probably had a lot to do with how close the two movies were being made. While it would slightly change from time to time, this is mainly the crew that would work on most of the feature length nature documentaries the studio did during the Walt era. Again you may notice some of the same people who worked on Disney's animated features in the credits here. Many of these people where surprised by this decision and didn't think they could pull it off but Walt had faith in them, so they did it. This is in contrast with Disney's modern nature documentaries which feature very little to none of the same crew you would see on an animated Disney film (the exception being producer Don Han).

The Vanishing Prairie marked one of the few times Disney had any trouble with the censors. This film had a scene in which a mother buffalo gives birth. The New York Censors hated this scene. Because of this the film was actually banned in the state of New York. Walt was rightfully shocked by this decision. The idea of censoring a Disney film shocked many people and many of them complained quite a bit about this. After enough complaints, the censors reluctantly lifted the ban. A review in the New Yorker stated, "I lived through this scene and I think you will too".

Around 120,000 feet of footage was shot for this film, but only 30,000 were used. This shows perfectly how strong Walt's Demand for perfection could be.

The Vanishing Prairie was a financial success. While there was still some of the humor critics hated in The Living Desert here it was lessened. Walt learned from the critics earlier complaints, and set out to make such improvements for this film. Because of this critics were much kinder to The Vanishing Prairie. This film once again won an Academy Award for best documentary feature.

                                   

Review
The Vanishing Prairie is a film with both great virtues, and huge faults.

The photography is still magnificent, and the ending scene needs to be seen to be believed. This incredible photography is still amazing today, and is just lovely to look at.

The narration and humor may be less intrusive this time, but they still are a big problem, though there is nothing here as cringe-worthy as the dance of the scorpions. I still feel that these films would be better off either without, or with less narration. The attempts at humor are really never that funny, and easily should have been left out. Worse though is the music that plays in these scenes. I am very rarely a fan of how films sometimes accompany what is supposed to be funny with music that tries to sound silly, but rather just sounds obnoxious.

However despite these huge faults, the photography is still amazing, and awe-inspiring. This again is quite faulted, but what works definitely makes it worth a watch.

Film Credits
Director: James Algar
Writers: James Algar, Ted Sears, Jack Moffitt, Winston Hibler
Narrator:  Winston Hibler
Producers: Walt Disney, Ben Sharpsteen
Music: Paul J. Smith, Joseph Dubin, Edward H. Plumb, Al Teeter
Photography: Lloyd Beebe, Dick Borden, Herb Crisler, Murl Deusing , Warren Garst, Cleveland P. Grant, Bert Harwell, Stuart V. Jewell, Paul Kenworthy, Tom McHugh, Olin Sewall Pettingill Jr., James R. Simon
Editor: Lloyd L. Richardson
Production Management: Erwin L. Verity
Sound Department: C.O. Slyfield, Harold J. Steck
Visual Effects Artists: Ub Iwerks, Joshua Meador, Art Riley

Resources Used
The Disney Films by Leonard Maltin

-Michael J. Ruhland

Monday, December 7, 2015

Rob Roy: The Highland Rouge

History and Review Written By Michael J. Ruhland















Michael's Movie Grade:D
Year Released:1954

                                             History
This would be the fourth and last of Disney's British films. These were live action films made in Britain because Walt Disney had money over there that he could not spend in the U.S.. This one would star Richard Todd, who had stared in two of the previous films, The Sword and The Rose, and The Adventures of Robin Hood. The female lead would be Glynis Johns who had played Princess Mary in The Sword in the Rose. It would also be produced by Perce Pearce, who had produced the previous three Disney British films. Also working here is the painter Peter Ellenshaw, who had previously painted backgrounds for The Sword and the Rose. However not returning would be Ken Annakin, who had directed The Adventures of Robin Hood and The Sword and the Rose. Ken Annakin was originally  set to direct Rob Roy, and would have gladly done it. However the J. Artur Rank Studio where Annakin had been making the majority of his films, refused to let him work on another film for Disney. The studio was all ready to drop Annakin's contract if he refused to comply. Annakin reluctantly agreed, and a new director Harold French was given the job. Harold French was a British director, who had directed such films as Adam and Evalyn, and Encore. This would be the only Disney film, Harold French would direct.

Of note is that Rob Roy was the last Disney feature to be distributed by RKO. For their previous feature, The Living Desert, Walt had created his own production company called Buena Vista, a company that still exists today. However he still had a contract with RKO, one that Rob Roy would complete.

The Studio made certain to state that this film was an originally story and not an adaption of Sir Walter Scott's novel.

Richard Todd liked to tell the story of how soldiers of the Korean War, who belonged to the Argyll and Sutherland Highlanders infantry regiment, were used for the battle scenes. He says they used the opportunity to get back at some non-commissioned officers. Todd also liked to tell the story of how during the first battle scene filmed, he injured himself by stepping in a rabbit hole.

Rob Roy was a critical success especially in England. Financially it was not a success in the U.S., but it did better in across the sea.


                                         

Review
By all accounts this should be a great movie, but for some reason it just isn't. It is hard to believe that the people who brought us The Story of Robin Hood and his Merrie Men. and The Sword and the Rose, could make a similar film that is simply so forgettable.

This is a slow paced film, yet it never uses this slow pace to it's advantage. There is little atmosphere, or character development that wouldn't work at a faster pace. In fact the characters are all just completely forgettable. Also for a Disney film there is just a complete lack of fun. There are really only two fun scenes, and these are great, but unfortunately these are the only fun scenes in the movie. For most of the film it just drags.

To be fair this film does have some good points as well. The battle scenes are well staged. The backgrounds are lovely and the acting is good. However these attributes have the problem of being hung onto very little, and can by no means save this film. 

Overall this is one of the weakest Disney films from the Walt era, and a sad end to the great string of Disney British films.

Film Credits
Director: Harold French

Writer: Lawrence Edward Watkin

Cast: Richard Todd (Rob Roy), Glynis Johns (Helen Mary), James Robertson Justice (John Campbell), Michael Gough (Duke of Montrose), Finlay Currie (Hamish MacPherson), Jean Taylor Smith (Marget Campbell), Geoffrey Keen (Killearn),  Archie Duncan (Dugall), Russell Waters (Hugh), Marjorie Fielding (Maggie), Eric Pohlmann (King George),  Ina De La Haye (Countess von Pahlen), Michael Goodliffe (Robert Walpole), Martin Boddey (General Cadogan),  Ewen Solon (Maj. Gen. Wightman), James Sutherland (Torcal), John McEnvoy (Nabby), Ian MacNaughton (Callum), Stevenson Lang (Keith),  Charles Hubbard (Alsdair), Campbell Godley (James), Ted Follows (Douglas), Lionel Thomson (Donald), James Stuart (Ian), Lewis Schwarz (Wallace), Hugh Evans (Gordon), Abe Barker (Duncan), Jock MacKay (Neil MacCallum), Howard Douglas (Donald Urquhart), Douglas Bradley-Smith (Bookseller), May Hallatt (Ballad Hawker), Hamilton Keene (Fort Commandant), Henry Hewitt (Lord Parker), Malcolm Keen (Duke of Marlborough), Andrew Laurence (Lord Chamberlain), David Keir (Servant), Rupert Evans (Fencible), Paddy Ryan (Fencible),  Paget Hunter (Earl of Berkeley), Derek Prentice (Viscount Townshend), Middleton Woods (Lord Carleton), Frank Webster (Lord Carteret), Robert Brooks Turner (Viscount Torrington), Rolph Hutcheson (John Treby), Max Gardner (Lord Evelyn),  Kitty MacLeod (Singer),  Marietta MacLeod (Singer)

Producers: Perce Pearce, Walt Disney

Music:Cedric Thorpe Davie,  Muir Mathieson, Clifford Vaughan

Cinematographer:  Guy Green

Editor: Geoffrey Foot

Production Designer: Carmen Dillon

Art Director: Geoffrey Drake

Costume Designer: Phyllis Dalton

Production Manager: Douglas Peirce

Assistant Directors: Gordon Scott, Jeremy Summers

Sound Recordist: Les Hammond

Special Effects: George Blackwell

Paintings: Peter Ellenshaw, Albert Whitlock

Stunt Man: Paul Baxley

Resources Used
The Disney Films by Leonard Maltin
Caught in the Act by Richard Todd

-Michael J. Ruhland