Friday, March 31, 2017

Savage Sam

History and Review Written by Michael J. Ruhland













Year Released: 1963
Michael's Movie Grade:C+

                                                 History
Savage Sam was the Disney studio's second feature length sequel, being a sequel to Old Yeller. The idea to do a sequel to Old Yeller was a natural decision. Not only was it a huge hit for the studio, but the book it was based off of also had a sequel. Once again Fred Gipson, the author of both books, was hired to write the screenplay for the movie version and once again he co-wrote it with screen writer William Tunburg. Savage Sam is a very different type of movie than Old Yeller was. This film was in fact more of a traditional western. Also though this film featured the same main cast and writers that Old Yeller had, this movie had a different director. While Robert Stevenson was the director of the first movie, Norman Tokar directs Savage Sam. This was the second Disney film directed by Norman Tokar. The previous one also had to do with a boy and a dog (Big Red). Savage Sam marked the last Disney film that Jeff York appeared in, as he revisits a role in played in Old Yeller.

The film was not that well received by critics. A review in The New York Times said Fred Gibson and William Tunberg's script was full of "abundant clichés and Norman Tokar directs every scene as if it were his last". A review in Variety called the movie "...one of the least satisfactory items to emerge from the Buena Vista hopper in years". The Harald Tribune was more positive calling the film a "typical Walt Disney adventure offering - clean, wholesome, family-type fare". The film proved very disappointing at the box office. Strangely enough advertisements for Savage Sam didn't exactly make it clear that this film was in fact a sequel to Old Yeller. This may have something to do with the film's box office disappointment.

 
Review
Good movie, but a disappointing sequel.

There is quite a bit to recommend about this movie. The characters for the most part are just as likable as they were in Old Yeller, and the actors do great job playing these characters. Like all Disney films from this time this movie is just beautiful to look at. The cinematography especially is very good. The action scene near the end is quite exciting. While this movie may fall short of Old Yeller, one thing it does have over that film is that the humor is funnier here. Much of this comes from the character of Bud Searcy, and his obviously fake tall tales. Though there are better Disney movies he acted in this is probably the perfect film, for Jeff York to end his Disney career on, because it is one where he steals the show.

On the downside however Kevin Corcoran seemed to old to be playing this part. Though he does a good job, most of what he is given to do feels like it was meant for a younger kid, and just feels odd. He does however get one of the film's biggest laughs as he gives Bud a taste of his own medicine at the end, but mostly this character feels awkward. The romance between Travis and Lisbeth is very undeveloped and almost feels like it is just here to have a romance in the movie. Their relationship seemed much more fleshed out in Old Yeller, when they weren't even a couple. On top of this is that the middle part of the movie just seems to drag. A lot of the conversations and things they run across seem to be just filler.

If you want a fun western, that may not be a classic, but is still a good movie, you should watch this film. However if you want something as good as Old Yeller, there are many other Disney movies that reach that standard.

Film Credits
Director: Norman Tokar
Writers: Fred Gipson, William Tunberg
Cast: Tommy Kirk (Travis Coates), Kevin Corcoran (Arliss Coates), Brain Keith (Beck Coates), Marta Kristen (Lisbeth Searcy), Jeff York (Bud Searcy), Dewey Martin (Lester White), Rafael Campos (Young Warrior), Slim Pickens (Willy Crup), Rodolfo Acosta (Bandy Legs), Pat Hogan (Broken Nose), Dean Fredericks (Comanche Chief), Brad Weston (Ben Todd), Royal Dano (Pack Underwood)
Producers: Walt Disney, Bill Anderson
Music: Oliver Wallace, Evelyn Kennedy, Walter Sheets 
Songwriter: Terry Gilkyson
Cinematographer: Edward Colman
Editor: Grant Smith
Art Directors: Carroll Clarke, Marvin Aubrey Davis
Set Decorators: Hal Gausman, Emile Kuri
Costume Design: Gertrude Casey, Chuck Keehne
Makeup Artists: Pat McNally
Hair Stylist: Ruth Sandifer
Assistant Director: Joseph L. McEveety
Sound Artist: Robert O. Cook
Special Effects Artists: Jim Fetherolf, Eustace Lycett
Stunt Artists: May Boss, Bill Hart, Richard Fransworth, Walt Le Rue

Resources Used
The Disney Films by Leonard Maltin

-Michael J. Ruhland   

Thursday, March 23, 2017

Miracle of the White Stallions

History and Review Written By Michael J. Ruhland













Michael's Movie Grade:B+
Year Released:1963

                                                     History
The Disney studio had great success in 1962 with Almost Angles. That film had been shot in Austria, and so it seemed natural that when the next year the studio was making a film based off another true story that took place there they would return to Austria. This movie would be Miracle of the White Stallions. The true story was about the Lipizzan stallions and how the whole breed was threatened by the Nazis during World War 2 and how they were saved from extinction. Actually it was based off a book written by Alois Podhajsky, the actual director of the horse riding school this film centers around, and the main character of the film. Podhajsky also supervised the horse performance scenes in this movie.                                                                

This marks the only film Arthur Hiller ever directed for Disney. At this time most of his work was dedicated to TV. Also by this time he had had a very prolific career on TV directing episodes of such shows as Perry Mason, Alfred Hitchcock Presents, Gunsmoke, and The Rifleman. He would later direct such theatrical features as Silver Streak, Love Story and W.C. Fields and Me. This is the first feature film to be written by A.J. Carothers. Previously he had written episodes of TV shows like My Three Sons and The DuPont Show with June Allyson. He would later write Emile and the Detectives and The Happiest Millionaire for the Disney studio. 

A review in the New York Times stated that the film was mostly for those who love horses, later stating though "The only trouble is that those who love horses will also have to put up with a none-too-eventful or dramatic jumble of narrative. The war-time adventures of the colonel are exhaustingly routine, and they are played in a stiff, perfunctory fashion by Robert Taylor and his supporting cast". Likewise Variety called the film "inept..." Most critics found the film quite boring. Audiences didn't go out and see it either nd it was a box office failure. Because of this it became one of the few Disney films of this time to never have a theatrical rerelease.

                                                        Review
This film definitely requires patience and close attention from its audience, but if you give it that you will find that it is an excellent film.

What really makes this film so great is its sense of maturity and respect for the subject matter. While I have stated this about other Disney films, this is definitely the one that it is most true with, this film will be a complete shocker to those who view Disney movies as cute little films for kids. In fact many Disney fans, who know better will still be surprised by just how in-Disney like this movie actually is. This is a completely serious war drama and a very well done one too.

The characters are very relatable and well thought out. These could have been movie stereotypes easily, but they are so much more. They are not treated as your typical heroes or villains, but rather as fully human characters, who managed to do extraordinary things. This is shown extremely effectively during the scene after General Patton sees the horses perform. Alois Podhajsky becomes very upset thinking that Patton isn't going to do anything about this. This fully shows the complexity of the characters as Podhajsky immediately jumps to a pessimistic conclusion and because of this and then loses his temper because of this, and by Patton not directly stating whether or not he was going to help the horses. This is also shown perfectly in an early scene in which Podhajsky unfairly loses his temper at a young student, because he received some bad news earlier. These characters are also very much helped out by great performances from the whole cast. 

The biggest fault with this film is that it takes a while for anything visually interesting to happen. Though the sets are extravagant and a joy to look at, for quite a while after the beginning the film is nearly all tell and little show. Because of this it can lose the interest of a first time viewer causing them to get lost and confused. However if you give this talk enough attention, you may find it fascinating and enjoyable, but it definitely requires a lot of attention. However later in this film there are some true visual feasts, worthy of the name Disney. These include the horse performances, which are breathtaking to watch (especially if you are a horse lover like me), and a very exciting battle scene involving the US army troops. These are well worth waiting for. 

                                                                 Film Credits 
Director: Arthur Hiller
Writer: AJ Carothers 
Based on a book by Alois Podhajsky
Cast: Robert Taylor (Alois Podhajsky), Lilli Palmer (Vedena Podhajsky), Curd Jürgens (General Tellheim), Eddie Albert (Rider Otto), James Franciscus (Major Hoffman), John Lurch (General George S. Patton), Bridgette Horney (Countess Arco-Valley), Phillip Abbott (Colonel Reed), Charles Regnier (General Stryker), Erik Schumann (Captain Ranhoff), Douglas Fowley (General Walton H. Walker), Philo Hauser (Dispatcher), Max Haufler (Engineer), Michael Janisch (Refugee Leader), Fritz Wepper ( Rider Hans), Helmut Janatsch (Intruder), Günther Haenel (Groom Sascha), Peter Jost (Kreisleiter), Robert Deitl (German MP Captain), James Dobson (Southern GI), Margarethe Dux (Woman Railroad Official), Hal Galili (Brooklyn GI), Harry Hornisch (First Rider), Kurt Jager (Rider), Josef Krastel (Carl), Herbert Prikopa (Orderly Tellheim), Michael Tellering (Adjutant), Olaf Tschierschke (Rider)
Producers: Walt Disney, Peter V. Herald
Music: Paul J. Smith
Cinematographer: Günther Anders
Editors: Alfred Srp, Cotton Warburton 
Production Designers: Isabella Schlichting, Werner Schlichting
Costume Designer: Leo Bei
Makeup Artists: Leopold Kuhnert, Rudolf Ohlschimdt 
Assistant Director: Laci Ronay
Sound Artist: Robert O. Cook, Kurt Schwartz
Special Effects Artist: Paul Waldherr
Production Managers: Robert Russ, Walter Tjaden
Second Unit Photographer: Peter Pochlatko
Horse Performances Choreographer: Alois Podhajsky

                                                  Resources Used
The Disney Films by Leonard Maltin

-Michael J. Ruhland